Romare Bearden
James Bettison
John Biggers
Beverly Buchanan
Willie Cole
Sam Gilliam
Loïs Mailou Jones
Jacob Armstead Lawrence
Carroll Sockwell
Carrie Mae Weems
Jack Whitten
William T. Williams

Beverly Buchanan was born in 1940 in Fuquay, North Carolina. She grew up on the campus of South Carolina State College in Orangeburg, South Carolina, the only state-supported school for blacks at the time, where her father was dean of the School of Agriculture. Though it would be some time before she dedicated herself full time to her art, her artistic prowess was evident from a very early age. At the age of seven or eight years old, twenty of her drawings were shown in an adult fine arts exhibition organized by the daughter of South Carolina State’s first black president. Traveling in rural South Carolina with her father, Buchanan developed her abiding interest in shacks as subject matter for all the arts media in which she works.

Despite her lifelong identity as an artist, as an educated African-American woman, Beverly Buchanan felt a strong sense of social commitment that manifested itself in her work, until the age of 37, as a health educator. She received a bachelor's degree in medical technology from Bennett College in North Carolina and two masters’ degrees from Columbia University, fully expecting to later attend medical school. It was while working as a health educator in East Orange, New Jersey that she finally decided to dedicate herself completely to her art. She left the Northeast and moved to Georgia, where she has lived ever since, first in Macon, then Atlanta, and now Athens.

Buchanan works in a variety of media, including sculpture, drawing, painting, and photography. She photographs old, rickety shacks and then reconstructs them out of the materials available to her. At first, the shacks seemed evocative of family, friends, and memories; only later did she photograph the structures entirely for their aesthetic appeal. In addition to the art pieces themselves, she creates colorful histories for the industrious individuals who inhabit them. Her shacks honor the tenacity and creativity of the inhabitants themselves.

Beverly Buchanan’s numerous honors include two 1980 fellowships from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts, a 1990 fellowship in sculpture from the National Endowment for the Arts, The Pollock-Krasner Foundation Award, Georgia Women in the Visual Arts Honoree Award, and a Distinguished Alumni Citation Award from Bennett College. She was Artist-in-Residence at the Museum of Arts and Sciences in Macon, Georgia in 1984, and in 2003, she was Visiting Artist at Spring Island, South Carolina.

Miss Hester's Place (1994)
mixed media wood sculpture

Critical Essay by Brittany Shannon Hopkins
MLK Academy